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Storm Warning (1951)iMDB Rating: 7.3
Date Released : 10 February 1951
Genre : Drama, Film-Noir
Stars : Ginger Rogers, Ronald Reagan, Doris Day, Steve Cochran
Movie Quality : BRrip
Format : MKV
Size : 700 MB

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En route to a job, New York based model Marsha Mitchell decides to stop for less than 24 hours in the southern American town of Rock Point to visit her sister, Lucy Rice, who she has not seen in two years, and meet Lucy's husband, Hank Rice, for the first time. Upon arriving in Rock Point, Marsha witnesses a Ku Klux Klan slaying of who she would later learn is Walter Adams, an out of town reporter who was going to write an exposé on the Klan. Marsha even saw two of the men's faces after they removed their hoods, but they didn't see Marsha. Upon later arriving at Lucy's house, Marsha is shocked to see that Hank was one of the Klansmen committing the murder, he being a Klansman of which Lucy is unaware. Marsha decides to confront Hank and Lucy about what she saw. Meanwhile, county prosecutor Burt Rainey knows that the Klan committed the murder, everyone in town is aware that the Klan committed the murder, but Rainey knows that no one will come forward to implicate the Klan for what they...

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Review :

Decent film noir, but sidesteps any real social issues

A very nice film overall, with Ronald Reagan probably turning in the best performance of this cast. Also notable for its direct attack on the Klu Klux Klan at a time when they were still a force. But this is also where the film gets a little strange. Virtually no mention is made of the Klan's ideology -- other than a few passing references to "hate" and "bigotry". There is a mob lynching/murder at the start of the film -- but it is not a racial attack. It is the killing of a white reporter who had been investigating and threatening to "expose" the Klan. Expose them for what? Tax evasion! They had been selling Klan trinkets to members and not reporting the income. The Klan is shown as essentially a criminal organization whose purpose is to fleece its own members for profit. In fact not one black actor has a line in this film. I am sure the producer's intentions were noble and maybe they felt they could not address the issue of racism head on, and therefore chose a somewhat oblique approach to discredit the Klan. But I can't help but feel that there is a certain disingenuousness to this film. Maybe this was brave for 1951, I really don't know.